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Eric Alstrom Board Reattachment Using Japanese Papers
Martin Antonetti The History of the Book for Book Artists
Carol Barton Tunnel Books
Julie Chen Book of Fun & Games Extravaganza
Artists’ Books: Ideas, Actions, & Transformations
Irene Clark Fresco on Paper
Donia Conn A German Approach to Springback Binding
Timothy C. Ely Drum Leaf: The Truly Perfect Binding
Drumming Up the Painted Book
Drumming Up the Painted Book
Daniel Essig Coptic Binding: Sewn Wooden Boards
Leni Fried Creating Decorative Papers on the Etching Press
Monoprinting with Cutouts: Exploring Mirror Images
Creating Decorative Papers by Hand
Babette Gehnrich Paper Repair
Peter Geraty Edge Gilding
Vellum Binding Over Boards
Donald Glaister The Elusive Duo: The Concept & Design of Artist’s Books & Bindings
On the Surface: Surface-Altering Techniques for Expressive Effect
Linda Lembke & Jeannie M. Hunt The Royal Workshop
Daniel E. Kelm The Leather Intensive
Innovative Hinging: Beyond Wire Edge
Gold Tooling on Leather Spines & Spine Labels
Stamping Foil & Leaf
Gilding Objects: Working with Metal Leaf
Double-Raised Cords Meets the Gutter Wire
Leather Onlay & Inlay
All About Magnets
The Book Restructured—Wire Edge Binding
Thinking Inside the Box: A Drawer in a Slipcase Under a Book
Thin Metal Over Boards Meets the Gutter Wire
The Flatback Case Revisited
Drop-wall Box: An Ideal Presentation Enclosure
Concertina Spine Sewn on Tapes
Paste Papers
Two Useful Wire Edge Binding Styles and When to Use Them
A Versatile Design Combination: Leather Onlay, Hot Stamping, and Metal Leaf
Adhesives
Mold Making for Leather, Paper, & Resin Casting
Chemistry for Book Arts
Hedi Kyle Preservation Enclosures
Wunderkabinets: Architectural Book Environments
The Content, Form, and Construction of Books
Stationery Departures
Art Larson Letterpress Printing & Composition
Letterpress Basics
Shanna Leino Ethiopian Binding: Leather-Covered Wooden Boards
Bone Toolmaking
Linda Lembke More, More, & More Accordions
A Book of One’s Own: Versatile Journal & Sketchbook Designs
The Clamshell Box for Limited Editions and Rare Book Storage
Book As Companion
Kitty Maryatt Board Attachment, a.k.a. “Fifty Ways to Attach Your Cover”
Barbara Mauriello Odd Boxes
Two Books in a Box
The Box as Stage Set: Two Variations
The Photograph Album—Principles and Production
Julia Miller Early Single Quire Bindings: The Fourth-century Nag Hammadi Codices
Bill Minter Coloring & Texturing Bookcloth for Unique Covers & Repairs
Suzanne Moore Elucidare: Concepts, Form, and Techniques of Page Design
Material Image: The Paper Tells It All
Jeffrey S. Peachey Making & Sharpening Knives
James Reid-Cunningham Leather Rebacking
Miniature Bookbindings
Leather Rebacking
Surface Gilding
Amaryllis Siniossoglou Prints from Photopolymer Plates
Offset Photo Lithography
Asian Albums
Pamela Spitzmueller Looking at the Details: Using Historical Techniques in Modern Bookwork
Large Paper into Small Spaces—Creating Books with Foldouts
The Medieval Girdle Binding—Then & Now
Wooden-Leaf Books
Bonnie Stahlecker A Stitch in Time: A Historical Journey of Sewing Books
Mark Tomlinson Dyed Limp Vellum
Claire Van Vliet Woven & Interlocking Quilt Pages & Structures
Peter David Verheyen A German Approach to Springback Binding
Variations on the German Case Binding
Vellum Binding Over Boards
Laura Wait Simplified Binding
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